Originally published as The Cynic’s Word Book, Ambrose Bierce’s wickedly satirical “reference book” was retitled The Devil’s Dictionary in 1911.
Preface The Devil’s Dictionary was begun in a weekly paper in 1881, and was continued in a desultory way at long intervals until 1906. In that year a large part of it was published in covers with the title The Cynic’s Word Book, a name which the author had not the power to reject or happiness to approve. To quote the publishers of the present work: “This more reverent title had previously been forced upon him by the religious scruples of the last newspaper in which a part of the work had appeared, with the natural consequence that when it came out in covers the country already had been flooded by its imitators with a score of ‘cynic’ books — The Cynic’s This, The Cynic’s That, and The Cynic’s Other. Most of these books were merely stupid, though some of them added the distinction of silliness. Among them, they brought the word “cynic” into disfavor so deep that any book bearing it was discredited in advance of publication. Meantime, too, some of the enterprising humorists of the country had helped themselves to such parts of the work as served their needs, and many of its definitions, anecdotes, phrases and so forth, had become more or less current in popular speech. This explanation is made, not with any pride of priority in trifles, but in simple denial of possible charges of plagiarism, which is no trifle. In merely resuming his own the author hopes to be held guiltless by those to whom the work is addressed — enlightened souls who prefer dry wines to sweet, sense to sentiment, wit to humor and clean English to slang. A conspicuous, and it is hope not unpleasant, feature of the book is its abundant illustrative quotations from eminent poets, chief of whom is that learned and ingenius cleric, Father Gassalasca Jape, S.J., whose lines bear his initials. To Father Jape’s kindly encouragement and assistance the author of the prose text is greatly indebted.
There are currently 18 Devil in this directory beginning with the letter N.
N
NECTAR
, n. A drink served at banquets of the Olympian deities. The secret of its preparation is lost, but the modern Kentuckians believe that they come pretty near to a knowledge of its chief ingredient.
Juno drank a cup of nectar,
But the draught did not affect her.
Juno drank a cup of rye --
Then she bad herself good-bye.
J.G.
NEGRO
, n. The piece de resistance in the American political problem. Representing him by the letter n, the Republicans begin to build their equation thus: "Let n = the white man." This, however, appears to give an unsatisfactory solution.
NEIGHBOR
, n. One whom we are commanded to love as ourselves, and who does all he knows how to make us disobedient.
NEPOTISM
, n. Appointing your grandmother to office for the good of the party.
NEWTONIAN
, adj. Pertaining to a philosophy of the universe invented by Newton, who discovered that an apple will fall to the ground, but was unable to say why. His successors and disciples have advanced so far as to be able to say when.
NIHILIST
, n. A Russian who denies the existence of anything but Tolstoi. The leader of the school is Tolstoi.
NIRVANA
, n. In the Buddhist religion, a state of pleasurable annihilation awarded to the wise, particularly to those wise enough to understand it.
NOBLEMAN
, n. Nature's provision for wealthy American minds ambitious to incur social distinction and suffer high life.
NOISE
, n. A stench in the ear. Undomesticated music. The chief product and authenticating sign of civilization.
NOMINATE
, v. To designate for the heaviest political assessment. To put forward a suitable person to incur the mudgobbling and deadcatting of the opposition.
NOMINEE
, n. A modest gentleman shrinking from the distinction of private life and diligently seeking the honorable obscurity of public office.
NON-COMBATANT
, n. A dead Quaker.
NONSENSE
, n. The objections that are urged against this excellent dictionary.
NOSE
, n. The extreme outpost of the face. From the circumstance that great conquerors have great noses, Getius, whose writings antedate the age of humor, calls the nose the organ of quell. It has been observed that one's nose is never so happy as when thrust into the affairs of others, from which some physiologists have drawn the inference that the nose is devoid of the sense of smell.
There's a man with a Nose,
And wherever he goes
The people run from him and shout:
"No cotton have we
For our ears if so be
He blow that interminous snout!"
So the lawyers applied
For injunction. "Denied,"
Said the Judge: "the defendant prefixion,
Whate'er it portend,
Appears to transcend
The bounds of this court's jurisdiction."
Arpad Singiny
NOTORIETY
, n. The fame of one's competitor for public honors. The kind of renown most accessible and acceptable to mediocrity. A Jacob's-ladder leading to the vaudeville stage, with angels ascending and descending.
NOUMENON
, n. That which exists, as distinguished from that which merely seems to exist, the latter being a phenomenon. The noumenon is a bit difficult to locate; it can be apprehended only be a process of reasoning -- which is a phenomenon. Nevertheless, the discovery and exposition of noumena offer a rich field for what Lewes calls "the endless variety and excitement of philosophic thought." Hurrah (therefore) for the noumenon!
NOVEL
, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read
all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to
mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes -- some of which have a large sale.
